Discover Art and Nature at Pineland Farms: Explore the PMA Art Trail

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Portland Museum of Art – Art Trail at Pineland Farms

Introduction

Experience the unique combination of art and nature at Pineland Farms through the Portland Museum of Art’s Art Trail. This special display showcases reproductions of significant artworks across our beautiful grounds, providing a cultural and outdoor experience for families, art lovers, and outdoor enthusiasts alike.

Visitor Information

We invite you to explore these remarkable artworks set within the scenic landscape of Pineland Farms. Share your journey on social media using #PMAArtTrail. For more information and to find other display locations please visit the Portland Museum of Art website here.

Map and Directions

Portland Museum of Art - Art Trail at Pineland Farms
Click to download the map.

To help you find each artwork, refer to our map for detailed directions and make the most of your visit. You can find printed maps at the Market or the Outdoor Center marked on the map with a red asterisk. To visit Pineland Farms follow GPS Directions to 15 Farm View Dr. New Gloucester, Maine.

Plan Your Visit

Beyond the Art Trail, Pineland Farms offers a variety of activities and amenities, including hiking trails, educational farm visits, outdoor recreation, and our Market with fresh produce, cheese, and meats. Enjoy a full day of exploration and discovery.

Explore the Artworks

Richard Estes – Beaver Dam Pond

  • Description: Known for his meticulous photo-realistic style, Estes captures the peaceful beauty of Beaver Dam Pond in Acadia National Park – a destination that normally hosts a number of tourists taking in the view.
  • Location:Near the Market, offering a distant view of Mt. Washington. The location at Pineland Farms was chosen for its serene and picturesque landscape, providing a complementary backdrop while also offering a bustling market place.

Richard Estes (United States, b. 1932), "Beaver Dam Pond, Acadia National Park," 2009, oil on board, 12 3/8 x 29 7/8 inches. Anonymous gift, 2014.2.
Richard Estes (United States, b. 1932), “Beaver Dam Pond, Acadia National Park,” 2009, oil on board, 12 3/8 x 29 7/8 inches. Anonymous gift, 2014.2.

Artist Unidentified – View of Munjoy Hill

  • Description:This painting offers a historical perspective of Munjoy Hill, Portland, imagined as it might have appeared in the 1840s, with a smattering of homes and businesses.
  • Location:Overlooking the pastureland and farm buildings near Unity Environmental University. The location at Pineland Farms, with its pastoral views, mirrors the artwork’s theme of rural life, connecting past and present.

Artist Unidentified, "View of Munjoy Hill, Portland," oil on board, 7 15/16 x 11 3/4 inches. Gift of Charles D. Childs, 1967.5. Image courtesy of Luc Demers.
Artist Unidentified, “View of Munjoy Hill, Portland,” oil on board, 7 15/16 x 11 3/4 inches. Gift of Charles D. Childs, 1967.5. Image courtesy of Luc Demers.

Reggie Burrows Hodges – Target Audience: Pink Helmet

  • Description:Maine-based figurative painter Reggie Burrows Hodges explores themes of identity, truth, surveillance, and sport. “Target Audience: Pink Helmet” addresses issues of visibility and recognition, inspired by events of police misjudgment.
  • Location: The artwork’s placement near the Outdoor & Fitness Center emphasizes the role of sport and community, aligning with the themes of the piece.

Reggie Burrows Hodges (United States, born 1965), "Target Audience: Pink Helmet," 2019, acrylic and pastel on wood panel, 43 1/2 x 48 x 2 3/8 inches. Anonymous gift, 2021.4. © Courtesy the artist and Karma, New York.
Reggie Burrows Hodges (United States, born 1965), “Target Audience: Pink Helmet,” 2019, acrylic and pastel on wood panel, 43 1/2 x 48 x 2 3/8 inches. Anonymous gift, 2021.4. © Courtesy the artist and Karma, New York.

Lois Dodd – Self-Portrait in Green House Window

  • Location: The Grove or along the forest trail.
  • Description:  This self-portrait captures Dodd’s introspective style and connection to nature. The location near the Grove or forest trail at Pineland Farms reflects Dodd’s love for the Maine forest, providing a serene and fitting setting for her work.

Lois Dodd (United States, born 1927), "Self-Portrait in Green House Window," 1971, oil on linen, 53 1/2 x 36 inches. Museum purchase with support from the Contemporary Art Fund, in memory of Bernice McIlhenny Wintersteen, 2000.1. © Lois Dodd, courtesy Alexandre Gallery, New York.
Lois Dodd (United States, born 1927), “Self-Portrait in Green House Window,” 1971, oil on linen, 53 1/2 x 36 inches. Museum purchase with support from the Contemporary Art Fund, in memory of Bernice McIlhenny Wintersteen, 2000.1. © Lois Dodd, courtesy Alexandre Gallery, New York.

Neil Welliver – Two Boys in a Canoe

  • Description:This artwork vividly depicts the simplicity and joy of youth, showcasing two boys in a canoe.
  • Location:The chosen location by the pond at Pineland Farms enhances this theme, offering visitors a reflective view of the joy associated with water and nature.

Neil Welliver (United States, 1929–2005), "Two Boys in a Canoe," 1966–1969, oil on canvas, 80 x 83 3/8 inches. Gift of John and Annmarie Walsh, 1995.58.
Neil Welliver (United States, 1929–2005), “Two Boys in a Canoe,” 1966–1969, oil on canvas, 80 x 83 3/8 inches. Gift of John and Annmarie Walsh, 1995.58.

Winslow Homer – Lady at Houghton Farm

  • Description:Image courtesy Luc Demers. This piece portrays a serene rural scene, emblematic of Homer’s keen observation of everyday life.
  • Location:Near the bridge by the garden and wedding tent. The location near the garden and wedding tent at Pineland Farms complements the artwork’s peaceful and bucolic qualities, enhancing the viewer’s experience.

Winslow Homer (United States, 1836–1910), "Lady at Houghton Farm," circa 1878–1880, watercolor on paper, 8 3/4 x 13 inches. Gift from the Berger Collection Educational Trust in honor of the preservation of the Winslow Homer Studio, 2018.9.8.

Winslow Homer (United States, 1836–1910), “Lady at Houghton Farm,” circa 1878–1880, watercolor on paper, 8 3/4 x 13 inches. Gift from the Berger Collection Educational Trust in honor of the preservation of the Winslow Homer Studio, 2018.9.8.

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